Writing poetry with your old pentax
Artsy entries. I have scanned, resized and uploaded several photos taken by a Mr Viggo Mortensen. And I have wafers. With chocolate. Dangerous indeed.
3 pm, 1998 is one of my favorites. But then again, I think all photos I posted here are.

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Home, 1990 I feel indifferent posting this one. Yes, it appeared in Recent Forgeries, so it is a published picture, but it seems so intimate.

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At the Forum, 1998

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Home, 1998 Never fear art, wher ever you may find it. *hugs
vegetariansushi* It's almost silly to use it in this context. But that's the way my working room would look if I'd lived on my own. When I work on my poems or pictures, I can't be bothered to put things away. There is too much inspiration in every piece. Thankfully, I work on a pc now. It seldom looks that cluttered nowadays. (Only if I look through my papers and notes... but I try not to do that too often... my poor hubby!)

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Lost, #1-4, 2000 is a series of unreal photographs with a long story behind it that Viggo sometimes tells in an interview. I love the ghostliness of those photos. Eerie.


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Cheek, 2000 I'm fascinated by the colours and detail.

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Fell, 2000 reminds me off a poem by D.H. Lawrence.

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That's it. Hope you enjoyed.
3 pm, 1998 is one of my favorites. But then again, I think all photos I posted here are.

*********
Home, 1990 I feel indifferent posting this one. Yes, it appeared in Recent Forgeries, so it is a published picture, but it seems so intimate.

*********
At the Forum, 1998

*********
Home, 1998 Never fear art, wher ever you may find it. *hugs
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)

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Lost, #1-4, 2000 is a series of unreal photographs with a long story behind it that Viggo sometimes tells in an interview. I love the ghostliness of those photos. Eerie.


**********
Cheek, 2000 I'm fascinated by the colours and detail.

*********
Fell, 2000 reminds me off a poem by D.H. Lawrence.

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That's it. Hope you enjoyed.